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The picture below shows a young boy sitting in front of a telly, who is probably absorbing commercials. In this section, you are going to read a text about the impact that omnipresent advertising has on our lives. Are you aware of the selling techniques used on you? Should every marketing ploy be allowed? Have you ever thought about the ethical boundary of advertising?

Poniższe zdjęcie przedstawia chłopca siedzącego przed telewizorem i prawdopodobnie pochłoniętego oglądaniem reklam. W tej sekcji przeczytasz tekst o wpływie wszechobecnej reklamy na nasze życie. Czy zdajesz sobie sprawę ze stosowanych wobec ciebie technik sprzedaży? Czy każdy chwyt marketingowy powinien być dozwolony? Czy zastanawiałeś/zastanawiałaś się kiedyś nad etycznymi granicami reklamy?

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How many ads do you see every day?
Ile reklam widzisz każdego dnia?
Źródło: dostępny w internecie: www.pixabay.com [dostęp 30.03.2022], domena publiczna.
1
Exercise 1

Study the short text related to advertising and decide whether the sentences below are true or false.

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The study shows that the most advertised products are tech tools. Whereas in the second place you can find food and beverages. The least popular items which are advertised are cosmetics.
When it comes to the source of advertising, the most popular is social media, and then websites. The least popular source is TV.
The study shows that the biggest group of recipients of advertising are adults. Especially people at the age of 18–35, then 35–65. The smallest group are children.
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
1
Exercise 1

Look at the following charts related to advertising and decide whether the sentences below are true or false.

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Źródło: Konrad Szczodrak, domena publiczna.
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Źródło: Konrad Szczodrak, domena publiczna.
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Źródło: Konrad Szczodrak, domena publiczna.
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  1. According to the charts, technological devices and garments are the items which are the most popular amongst buyers.
    TRUE FALSE

  2. The charts show that the clothes and beauty industries invest the least in advertising.
    TRUE FALSE

  3. According to the charts, children and teenagers make up half of the advertising audience.
    TRUE FALSE

  4. As shown by the charts, people up to 35 years old are the main target of adverts.
    TRUE FALSE

  5. The charts demonstrate that most ads and commercials come from the internet.
    TRUE FALSE

  6. As indicated by the charts, the tiniest percentage of the advertising source isn’t related to the internet, TV or printing industries.
    TRUE FALSE
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.

Read the text about advertising techniques and then do the exercises below.

Trapped in the Commercial World
Ewelina Ramotowska Trapped in the Commercial World

Did you happen to buy a piece of garment, a hi‑tech gadget or a beverage only because you had seen it advertised before? If not, congratulations! You are in a tiny minority of consumers who (1) ……………. .

It appears that everyday life is inseparable from omnipresentomnipresent omnipresent billboards in the urban areaurban areaurban area, commercialscommercialcommercials on the radio and TV (2) ………… . Constant advertising of countless products has become so commonplace that we seem not to notice it at all. Moreover, it is much harder for businesses to grab the consumers’ attention. Not only are we accustomedaccustomedaccustomed to marketing temptationtemptationtemptation but we are also saturatedsaturated saturated with a variety of images, ideas and slogans. Nevertheless, we are all simultaneouslysimultaneouslysimultaneously and paradoxically affected by a world littered with advertising.

Copywriterscopywriters [copywriter]Copywriters and art directors have been outdoing themselves in marketing ploysmarketing ploys [marketing ploy] marketing ploys – creating catchy, rhythmic tunes, (3) …………, which usually attractattract attentionattract a potential customer's attentionattract attentionattention for no more than just a few seconds. Advertising departments are said to have been in a crisis for a while because anything they come up with appears to be already familiar and is treated as though it was a relicrelicrelic. It is thought that surprising a regular customer either with an item or with any professional campaign is doomed to failure,doomed to failure doomed to failure, yet advertising experts work by the sweat of their browwork by the sweat of one’s browwork by the sweat of their brow to manipulate us painlessly and almost imperceptiblyimperceptibly imperceptibly.

However indifferentindifferent indifferent to advertising we may seem to ourselves, we are actually trapped in this commercial, (4) ............ . It is not enough to ignore companies’ attempts to sell us a “must‑have item;” we should be also aware of more indirect techniques such as product placementproduct placement product placement. This is when manufacturers gain exposuregain exposure gain exposure for their branded goodsbranded goodsbranded goods or services by paying for them to be featuredfeatured featured in films and television programmes. When an actor in a film is drinking a clearly labelledlabelled labelled beverage or using a cell phone with its logo clearly visible, the viewer is internalising the need for a product without realising it.

If you still think you are immune to commercial manipulation techniques, you need to familiarise yourself with the term “subliminal advertisingsubliminal advertisingsubliminal advertising.” Have you ever experienced a sudden, strong cravingcravingcraving for a particular meal or drink right after turning off the TV? If yes, you may have become a victim of so‑called “subconscious marketingsubconscious marketingsubconscious marketing” whose goal is to make unaware recipientsrecipients [recipient] recipients walk away from the ad with a specific message in their mind – a desire that has arisen unconsciouslyunconsciouslyunconsciously. Although there is no scientific proof that this actually works, it sounds scary enough to have been banned in many countries. The subliminal trading strategiestrading strategies [trading strategy]trading strategies are said to use such sophisticated tools as “backmasking” (voice recordings played backwards which are to give listeners messages that their brains try to decode), “sub‑audible messaging” (usually of much lower volume than the primary audio) or “sub‑visual messaging” (a hidden logo or a small image tucked away withintucked away within tucked away within another image). The idea is that we don’t realise what we actually perceive or hear, (5)................ is quickly converted into a need. Isn’t it terrifying? No wonder subliminal advertising was banned in the UK right after the first attempts at using it in the 1950s.

Social media advertising also seems to be concealedconcealedconcealed and carefully considered by a staff of sociologists, psychologists and hi‑tech experts as it is always adjustedadjustedadjusted to an individual profile. It is perfectly configured advertisingconfigured advertisingconfigured advertising which carefully and precisely trackstracks [track]tracks (6) ................. . It has recently become obvious that searching for a product once means seeing a dozen ads related to this particular item each time you access your account, right?

Numerous marketing strategies such as shock advertising, also known as shockvertisingshockvertisingshockvertising, have been in use. It is nothing more than applying taboo subjects, bizarrebizarrebizarre and controversial sentences, disconcertingdisconcerting disconcerting and even offensive images to draw the consumer’s attentiondraw the consumer’s attention draw the consumer’s attention and triggertriggertrigger a strong reaction. It is often used for social advertisements whose purpose is to conveyconveyconvey a crucial message, to raiseraise awareness raise our political or ecological awarenessraise awareness awareness and to fight racism or homophobia. They (7) ………… child labourchild labourchild labour, domestic violence and sexual abuseabuseabuse. The purpose of these adverts, though, is not to make us buy any products but to raise awareness - a spark of hope in this consumerist world.

So, are you free from manipulation or rather enslaved by advanced commercial techniques? Is the need you feel a real one? Are the desires for ultra‑modern gadgets or brand‑new cosmetics really yours? Next time, before you buy anything, think twice about why you can't resist a particular consumer temptation.

1 Źródło: Ewelina Ramotowska, licencja: CC BY-SA 3.0.
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Exercise 2
Read the text again and put parts of the sentences in the appropriate gap in the text.

  1. broach such unpleasant subjects as – 1. 6, 2. 4, 3. 7, 4. 2, 5. 3, 6. 5, 7. 1
  2. consumerist world wherever we step – 1. 6, 2. 4, 3. 7, 4. 2, 5. 3, 6. 5, 7. 1
  3. are resistant to a great bunch of selling techniques – 1. 6, 2. 4, 3. 7, 4. 2, 5. 3, 6. 5, 7. 1
  4. ultra modern visualisations or astonishing commercial plots – 1. 6, 2. 4, 3. 7, 4. 2, 5. 3, 6. 5, 7. 1
  5. as well as thousands of virals on the internet – 1. 6, 2. 4, 3. 7, 4. 2, 5. 3, 6. 5, 7. 1
  6. the interests, likes, dislikes and requirements of regular customers – 1. 6, 2. 4, 3. 7, 4. 2, 5. 3, 6. 5, 7. 1
  7. but our brain still stores the information which – 1. 6, 2. 4, 3. 7, 4. 2, 5. 3, 6. 5, 7. 1
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
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Exercise 3
Read the text above and choose the correct answer. There is only one correct answer in each point. 1. According to the text most people
a) are immune to commercials.
b) don’t care about the ads.
c) are influenced by the advertising.
d) are into advertisements.

2. Due to the fact that advertising is global
a) consumers aren’t used to it and yield to temptations.
b) consumers are aware of it but it still has an impact on them.
c) consumers are fed up with images and catchy slogans.
d) consumers are an easy target for advertising companies.

3. Why are advertising departments claimed to be in crisis?
a) Due to lack of customers.
b) Because it is more than hard to amaze the customer.
c) Due to the fact that commercials are the things of the past.
d) Because every single new ad is based on a repetitive pattern.

4. Some companies allocate some funds to film-makers
a) in order to advertise their brand product.
b) to sell them the brand item.
c) in order to gain exposure for the company policy.
d) in order to present a product placement technique.

5. Subliminal advertising uses
a) the fact that customers are familiar with advertising techniques.
b) scientifically proven ways to influence the mind.
c) subconscious tricks to trigger the need for a product.
d) our unawareness of our selling and buying needs.

6. When you are scrolling through social media,
a) the system follows your interests and demands.
b) the system adjusts your profile to the advertisements.
c) you may have trouble finding products chosen for you.
d) you are tracked by psychologists and sociologists.

7. Shockvertising is
a) untolerable for recipients.
b) always politically engaged.
c) often aimed at social issues.
d) inappropriate and harsh.
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
Exercise 4

Answer the question and share your experience.

Have you ever been aware of any advertising techniques used on you? When was it? How did you feel?

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(Uzupełnij).
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.

Słownik

abuse
abuse

/ əˈbjuːs /

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Nagranie dźwiękowe

wykorzystywanie (unfair, cruel or violent treatment of somebody)

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Nagranie dźwiękowe
accustomed
accustomed

/ əˈkʌstəmd /

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Nagranie dźwiękowe

przyzwyczajony/przyzwyczajona (familiar with something and accepting it as normal or usual)

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Nagranie dźwiękowe
adjusted
adjusted

/ əˈdʒʌstɪd /

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Nagranie dźwiękowe

dopasowany/dopasowana (changed slightly to make it more suitable)

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Nagranie dźwiękowe
attract attention
attract attention

/ əˈtrækt əˈtenʃn̩ /

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Nagranie dźwiękowe

przyciągać uwagę (make someone notice something or someone)

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Nagranie dźwiękowe
bizarre
bizarre

/ bɪˈzɑː /

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Nagranie dźwiękowe

dziwaczne (very strange)

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Nagranie dźwiękowe
branded goods
branded goods

/ ˈbrændɪd ɡʊdz /

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Nagranie dźwiękowe

markowe towary [markowy towar] (products of a particular manufacturer or marketing company)

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Nagranie dźwiękowe
broach
broach

/ brəʊtʃ /

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Nagranie dźwiękowe

poruszać (np. temat) (to raise (a difficult subject) for discussion)

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Nagranie dźwiękowe
broadcast
broadcast

/ ˈbrɔːdkɑːst /

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Nagranie dźwiękowe

emitować (send out programmes on television or radio)

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Nagranie dźwiękowe
bunch
bunch

/ bʌntʃ /

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Nagranie dźwiękowe

garść, grupa (a number of things of the same type)

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Nagranie dźwiękowe
child labour
child labour

/ tʃaɪld ˈleɪbə /

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Nagranie dźwiękowe

praca wykonywana przez dzieci (work done by children)

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Nagranie dźwiękowe
commercial
commercial

/ kəˈmɜːʃl̩ /

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Nagranie dźwiękowe

reklama (najczęściej telewizyjna) (broadcast advertisements)

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Nagranie dźwiękowe
concealed
concealed

/ kənˈsiːld /

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Nagranie dźwiękowe

ukryty/ukryta (hidden)

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Nagranie dźwiękowe
configured advertising
configured advertising

/ kənˈfɪɡəd ˈædvətaɪzɪŋ /

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Nagranie dźwiękowe

skonfigurowana reklama (the commercial which is adjusted to individual profile)

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Nagranie dźwiękowe
convey
convey

/ kənˈveɪ /

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Nagranie dźwiękowe

przekazać (send)

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Nagranie dźwiękowe
copywriters [copywriter]
copywriters [copywriter]

/ ˈkɒpɪraɪtəz / / ˈkɒpɪraɪtə /

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Nagranie dźwiękowe

copywriterzy/copywriterki [copywriter/copywriterka] (osoby lub osoba tworząca reklamy) (a person who works as an advertisement creator)

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Nagranie dźwiękowe
craving
craving

/ ˈkreɪvɪŋ /

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Nagranie dźwiękowe

zachcianka, pragnienie (a strong desire for something)

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Nagranie dźwiękowe
disconcerting
disconcerting

/ ˌdɪskənˈsɜːtɪŋ /

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Nagranie dźwiękowe

niepokojące (making you feel worried)

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Nagranie dźwiękowe
doomed to failure
doomed to failure

/ duːmd tu ˈfeɪljə /

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Nagranie dźwiękowe

skazany/skazana na porażkę (inevitable end in a lack of success)

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Nagranie dźwiękowe
draw the consumer’s attention
draw the consumer’s attention

/ drɔː ðə kənˈsuːmərz əˈtenʃn̩ /

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Nagranie dźwiękowe

przyciągnąć uwagę klienta (make the consumer notice something or someone)

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Nagranie dźwiękowe
featured
featured

/ ˈfiːtʃəd /

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Nagranie dźwiękowe

wyróżniony/wyróżniona, umieszczony/umieszczona (np. w filmie, utworze muzycznym) (highlighted, placed, e.g. in a film, a piece of music)

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Nagranie dźwiękowe
gain exposure
gain exposure

/ ɡeɪn ɪkˈspəʊʒə /

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Nagranie dźwiękowe

uzyskiwać ekspozycję, częste eksponowanie (np. produktu) (of a product or advertisement: get public attention)

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Nagranie dźwiękowe
grab attention
grab attention

/ ɡræb əˈtenʃn̩ /

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Nagranie dźwiękowe

przyciągnąć uwagę (make someone interested)

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Nagranie dźwiękowe
imperceptibly
imperceptibly

/ ˌɪmpəˈseptəbli /

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Nagranie dźwiękowe

niezauważalnie, niepostrzeżenie (in a way that cannot be seen or felt)

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Nagranie dźwiękowe
indifferent
indifferent

/ ɪnˈdɪfrənt /

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Nagranie dźwiękowe

obojętny/obojętna (having or showing no interest)

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Nagranie dźwiękowe
labelled
labelled

/ ˈleɪbl̩d /

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Nagranie dźwiękowe

oznakowany/oznakowana (np. produkt) (to describe or put a logo on a product)

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Nagranie dźwiękowe
marketing ploys [marketing ploy]
marketing ploys [marketing ploy]

/ ˈmɑːkɪtɪŋ plɔɪz / / ˈmɑːkɪtɪŋ plɔɪ /

R1OUfoCh5J47r1
Nagranie dźwiękowe

sztuczki marketingowe [sztuczka marketingowa]

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Nagranie dźwiękowe
omnipresent
omnipresent

/ ˌɒmnɪˈpreznt /

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Nagranie dźwiękowe

wszechobecny/wszechobecna (present everywhere)

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Nagranie dźwiękowe
product placement
product placement

/ ˈprɒdʌkt ˈpleɪsmənt /

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Nagranie dźwiękowe

lokowanie produktu (a practice in which manufacturers of goods gain exposure for their products by paying for them to be featured in films and television programmes)

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Nagranie dźwiękowe
raise awareness
raise awareness

/ reɪz əˈweənəs /

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Nagranie dźwiękowe

zwiększać świadomość (make somebody conscious of an important cause)

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Nagranie dźwiękowe
recipients [recipient]
recipients [recipient]

/ rɪˈsɪpɪənts / / rɪˈsɪpɪənt /

R1DaFcz8ohBDW1
Nagranie dźwiękowe

odbiorcy [odbiorca] (a person who receives something; the target or audience)

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Nagranie dźwiękowe
relic
relic

/ ˈrelɪk /

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Nagranie dźwiękowe

przeżytek (an object that has survived from the past)

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Nagranie dźwiękowe
resistant
resistant

/ rɪˈzɪstənt /

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Nagranie dźwiękowe

odporny/odporna (not affected by something)

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Nagranie dźwiękowe
saturated
saturated

/ ˈsætʃəreɪtɪd /

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Nagranie dźwiękowe

nasycony/nasycona (full of something)

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Nagranie dźwiękowe
shockvertising
shockvertising

/ ˈʃɒkˈvətaɪzɪŋ /

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Nagranie dźwiękowe

reklama szokująca (the ad whose aim is to amaze and surprise the recipient)

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Nagranie dźwiękowe
simultaneously
simultaneously

/ ˌsɪmlˈteɪnɪəsli /

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Nagranie dźwiękowe

jednocześnie, w tym samym czasie (at the same time)

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Nagranie dźwiękowe
subconscious marketing
subconscious marketing

/ ˌsʌbˈkɒnʃəs ˈmɑːkɪtɪŋ /

R1S552B9CCZgp1
Nagranie dźwiękowe

podświadomy, podprogowy marketing (selling and buying techniques which the customers are unaware of)

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Nagranie dźwiękowe
subliminal advertising
subliminal advertising

/ ˌsʌbˈlɪmɪnl̩ ˈædvətaɪzɪŋ /

Rwy4vEffJYrxu1
Nagranie dźwiękowe

reklama podprogowa (a kind of advertising used to influence consumers' responses without their being consciously aware of it)

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Nagranie dźwiękowe
temptation
temptation

/ tempˈteɪʃn̩ /

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Nagranie dźwiękowe

pokusa (a strong desire)

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Nagranie dźwiękowe
tracked
tracked

/ trækt /

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Nagranie dźwiękowe

namierzony/namierzona, śledzony/śledzona  (being observed)

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Nagranie dźwiękowe
tracks [track]
tracks [track]

/ træks / / træk /

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Nagranie dźwiękowe

śledzi [śledzić]

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Nagranie dźwiękowe
trading strategies [trading strategy]
trading strategies [trading strategy]

/ ˈtreɪdɪŋ ˈstrætədʒɪz / / ˈtreɪdɪŋ ˈstrætədʒi /

R10Lspjih6Zyc1
Nagranie dźwiękowe

strategie handlowe [strategia handlowa] (ways to sell items)

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Nagranie dźwiękowe
trigger
trigger

/ ˈtrɪɡə /

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Nagranie dźwiękowe

wywoływać (cause)

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Nagranie dźwiękowe
tucked away within
tucked away within

/ tʌkt əˈweɪ wɪðˈɪn /

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Nagranie dźwiękowe

ukryty/ukryta w (hidden in)

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Nagranie dźwiękowe
unconsciously
unconsciously

/ ʌnˈkɒnʃəsli /

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Nagranie dźwiękowe

nieświadomie (without awareness)

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Nagranie dźwiękowe
urban area
urban area

/ ˈɜːbən ˈeəriə /

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Nagranie dźwiękowe

przestrzeń miejska (city space)

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Nagranie dźwiękowe
virals [viral]
virals [viral]

/ ˈvaɪrəls // ˈvaɪrəl /

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Nagranie dźwiękowe

wirale [wiral] (pieces of information, a video, an image which are sent rapidly over the internet)

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Nagranie dźwiękowe
work by the sweat of one’s brow
work by the sweat of one’s brow

/ ˈwɜ:k ˈbaɪ ðə swet əv wʌnz braʊ /

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Nagranie dźwiękowe

pracować w pocie czoła (work really hard)

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Nagranie dźwiękowe

Źródło: GroMar Sp. z o.o.,licencja CC BY‑SA 3.0

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(Uzupełnij).
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.