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The picture below portrays the interior of a shop. Notice the pastel colours and minimalistic display of products. Have you seen the dry flowers at the top of the photograph? Would you agree with the statement that we buy with our eyes and not with our minds? You are going to familiarise yourself with a text which explains what elements are relevant in contemporary store design.

Poniższe zdjęcie przedstawia wnętrze sklepu. Zwróć uwagę na pastelowe kolory i minimalistyczną ekspozycję produktów. Czy zauważyłeś /zauważyłaś suszone kwiaty u góry fotografii? Czy zgodzisz się ze stwierdzeniem, że kupujemy oczami, a nie rozumem? Zapoznaj się z tekstem który wyjaśnia, jakie elementy są istotne we współczesnym projektowaniu sklepów.

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Visual merchandising can also be employed in stores selling vintage or second hand items
Visual merchandising może być stosowany również w sklepach sprzedających przedmioty używane lub vintage
Źródło: dostępny w internecie: www.pexels.com [dostęp 31.08.2022], domena publiczna.
Exercise 1

Match the words and expressions to their definitions.

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“Visual merchandising is the art of implementing effective design ideas Możliwe odpowiedzi: 1. to increase store traffic and sales volume.” (Shari Waters), 2. merchandising moves goods toward people.” (Morris Hite), 3. They reveal the soul of the shop.” (Debra Templar), 4. attracting people within the first five seconds, which communicates an immediate association or emotion.” (Mark Clifton), 5. have again borrowed from the theatre.” (Michael Levy & Barton A. Weitz) “If eyes are the windows to the soul; then shop windows are just as revealing. Możliwe odpowiedzi: 1. to increase store traffic and sales volume.” (Shari Waters), 2. merchandising moves goods toward people.” (Morris Hite), 3. They reveal the soul of the shop.” (Debra Templar), 4. attracting people within the first five seconds, which communicates an immediate association or emotion.” (Mark Clifton), 5. have again borrowed from the theatre.” (Michael Levy & Barton A. Weitz) “To heighten store excitement and enhance store images, retailers Możliwe odpowiedzi: 1. to increase store traffic and sales volume.” (Shari Waters), 2. merchandising moves goods toward people.” (Morris Hite), 3. They reveal the soul of the shop.” (Debra Templar), 4. attracting people within the first five seconds, which communicates an immediate association or emotion.” (Mark Clifton), 5. have again borrowed from the theatre.” (Michael Levy & Barton A. Weitz) “Advertising moves people toward goods; Możliwe odpowiedzi: 1. to increase store traffic and sales volume.” (Shari Waters), 2. merchandising moves goods toward people.” (Morris Hite), 3. They reveal the soul of the shop.” (Debra Templar), 4. attracting people within the first five seconds, which communicates an immediate association or emotion.” (Mark Clifton), 5. have again borrowed from the theatre.” (Michael Levy & Barton A. Weitz) “Colour affects visual merchandising by Możliwe odpowiedzi: 1. to increase store traffic and sales volume.” (Shari Waters), 2. merchandising moves goods toward people.” (Morris Hite), 3. They reveal the soul of the shop.” (Debra Templar), 4. attracting people within the first five seconds, which communicates an immediate association or emotion.” (Mark Clifton), 5. have again borrowed from the theatre.” (Michael Levy & Barton A. Weitz)
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.

Study the text and do the exercises below.

Visual Merchandising: The Architecture of Purchasing
Katarzyna Piotrowska Visual Merchandising: The Architecture of Purchasing

1.      _____

displaydisplayVisual merchandisingvisual merchandisingVisual merchandising applies to the displaydisplaydisplay and layout of both traditional and online shops. Its aim is to encourage passers‑bypassers‑by [passer‑by]passers‑by to enter the store or a website and make a purchasemake a purchasemake a purchase. According to current research, contemporarycontemporarycontemporary clients are mainly attracted to the visual communication channelvisual communication channelvisual communication channel and they tend to remember the messages that they actually see. This explains why the main focus is the way products are presented, located, and litlit [light]lit. The stakestakestake is a potential purchase or its lack, so there is no place for an error.

2.      _____

Store displays ought to be interesting enough to encourage the customers to explore the store on their own. The narrativenarrativenarrative or story that the shop layoutshop layoutshop layout tells is important because it attracts customers and allows for creating their future brand loyaltybrand loyaltybrand loyalty. Such an effect can be achieved by building a positive and memorablememorablememorable shopping experience, because only then will customers return to the shop. If clients find themselves in a space they identify with and they take a snapshot oftake a snapshot of somethingtake a snapshot of an inspiring display and post it on their social media, it will create interest of future purchaserspurchasers [purchaser]purchasers. However, only the successful implementationimplementationimplementation of visual merchandising maximises salesmaximises sales [maximise sales]maximises sales and serves as a meaningful marketing toolmarketing toolmarketing tool.

3.      _____

The layout of shops is never a random choice. There are experts hired precisely to decide on what the customer’s experience is going to be like. Visual merchandisersvisual merchandisers [visual merchandiser]Visual merchandisers plan the display of products and decide on the colours, lighting and ambienceambienceambience. Their activities improve store trafficstore trafficstore traffic and sales. Chain storeschain stores [chain store]Chain stores employ teams of experts who ensureensureensure that the shopping experience at almost each and every shop of a given brand is identical. The shops must look, sound, and feel the same, or as similar as possible. It is the job of visual merchandisers to decide on everything regardingregardingregarding the display of products, which is applied in all stores. People employed as visual merchandisers ought to be fluent at using graphic design applications to plan both the in‑store and outside layout, the décordécordécor, shopping windows, changing rooms, counterscounters [counter]counters, and checkoutscheckouts [checkout]checkouts.

4.      _____

Visual merchandising is a complex concept. However, there are certain elements that constituteconstituteconstitute its success. What matters in the presentation of items is also the presence of a focal pointfocal pointfocal point, which can be achieved in a number of ways. Customers’ attention can be drawn by presenting a set of similar or identical products in a repetitive way. The significantsignificantsignificant technique is also a creation of harmony which is achieved by using slight asymmetry while displaying products. What's also important is a themethemethemeThemedthemedThemed displays, changed regularly, connect with the customer’s current needs and increase chances they will buy what they see.

5.      _____

Visual merchandising will continue to grow by employing the newest technologies in displays. The future focus is going to be on the visual merchandising of e‑commercee‑commercee‑commerce: site navigationsite navigationsite navigation, showcasingshowcasing [showcase]showcasing the items, and creating eye‑catchingeye‑catchingeye‑catching and interactive content. It's important to know the value of this field of marketing so that we enjoy it without being trapped in the shopping crazeshopping crazeshopping craze.

1 Źródło: Katarzyna Piotrowska, licencja: CC BY-SA 3.0.
Exercise 2

Choose the correct headings and drag them into the text. There are 2 extra headings you do not need to use.

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1. 1. The functional know-how, 2. Part and parcel of visual merchandising, 3. The gloomy past and the risky future, 4. The customer, the store, and the tale, 5. The whys and the wherefores of virtual merchandising, 6. Visual merchandising, the need to drop it, 7. What the future holds in store
2. 1. The functional know-how, 2. Part and parcel of visual merchandising, 3. The gloomy past and the risky future, 4. The customer, the store, and the tale, 5. The whys and the wherefores of virtual merchandising, 6. Visual merchandising, the need to drop it, 7. What the future holds in store
3. 1. The functional know-how, 2. Part and parcel of visual merchandising, 3. The gloomy past and the risky future, 4. The customer, the store, and the tale, 5. The whys and the wherefores of virtual merchandising, 6. Visual merchandising, the need to drop it, 7. What the future holds in store
4. 1. The functional know-how, 2. Part and parcel of visual merchandising, 3. The gloomy past and the risky future, 4. The customer, the store, and the tale, 5. The whys and the wherefores of virtual merchandising, 6. Visual merchandising, the need to drop it, 7. What the future holds in store
5. 1. The functional know-how, 2. Part and parcel of visual merchandising, 3. The gloomy past and the risky future, 4. The customer, the store, and the tale, 5. The whys and the wherefores of virtual merchandising, 6. Visual merchandising, the need to drop it, 7. What the future holds in store
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
Exercise 3

Study the sentences and choose the correct answer or answers.

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1. Visual merchandising is connected with Możliwe odpowiedzi: 1. window displays., 2. hearing communication channels., 3. store layout., 4. photographing the content.
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
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2. Store’s success can be improved by making customers Możliwe odpowiedzi: 1. build up the displays., 2. identify with the store., 3. become loyal to the brand., 4. decide on the décor.
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
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3. The task of visual merchandisers is Możliwe odpowiedzi: 1. planning window displays., 2. designing the products., 3. projecting the sales., 4. writing shop’s narratives.
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
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4. Shops employ various techniques to increase their sales such as Możliwe odpowiedzi: 1. taking on visual designers., 2. forcing store traffic., 3. removing the outside layout., 4. employing geometric shapes in product displays.
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
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5. Product presentation is characterised by Możliwe odpowiedzi: 1. using random props., 2. avoiding unnecessary items., 3. employing eye-catching techniques., 4. placing excessive numbers of products
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
1
Exercise 4

Pair the sentence halves to create correct sentences. There are 3 extra halves you do not need to use.

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Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.
Exercise 5

Answer the following questions. Write 3‑4 sentences to each question.

  1. What is visual merchandising?

  2. What do visual merchandisers do?

  3. Why is visual merchandising employed in shops?

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(Uzupełnij).
Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.

Słownik

ambience
ambience

/ ˈæmbiəns /

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Nagranie dźwiękowe

nastrój, atmosfera (the atmosphere or the character of a place)

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Nagranie dźwiękowe
brand loyalty
brand loyalty

/ ˌbrænd ˈlɔɪəlti /

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Nagranie dźwiękowe

lojalność wobec marki (customer’s dedication to buying products from a particular company)

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Nagranie dźwiękowe
chain stores [chain store]
chain stores [chain store]

/ ˈtʃeɪn stɔ:z / / ˈtʃeɪn stɔ:r /

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Nagranie dźwiękowe

sieciówki, sklepy należące do sieci [sieciówka, sklep należący do sieci] (shops that belong to a group that sell the same types of products and have the same owner)

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Nagranie dźwiękowe
checkouts [checkout]
checkouts [checkout]

/ ˈtʃekaʊts / / ˈtʃekaʊt /

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Nagranie dźwiękowe

kasy [kasa] (places in shops where you pay for goods)

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Nagranie dźwiękowe
constitute
constitute

/ ˈkɒnstɪtjuːt /

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Nagranie dźwiękowe

stanowić, składać się na coś (to be parts that form something together)

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Nagranie dźwiękowe
contemporary
contemporary

/ kənˈtemprəri /

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Nagranie dźwiękowe

współczesny/współczesna (living now)

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Nagranie dźwiękowe
counters [counter]
counters [counter]

/ ˈkaʊntəz / / ˈkaʊntə /

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Nagranie dźwiękowe

lady [lada] (a table in a shop at which people are served)

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Nagranie dźwiękowe
décor
décor

/ ˈdeɪkɔː /

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Nagranie dźwiękowe

wystrój wnętrza, dekoracje (the decoration and furnishing of a shop)

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Nagranie dźwiękowe
display
display

/ dɪˈspleɪ /

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Nagranie dźwiękowe

wystawa (a collection of objects arranged for people to look at)

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Nagranie dźwiękowe
e‑commerce
e‑commerce

/ ˈi: ˈkɒmɜːs /

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Nagranie dźwiękowe

handel elektroniczny (the business of buying and selling on the internet)

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Nagranie dźwiękowe
ensure
ensure

/ ɪnˈʃʊə /

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Nagranie dźwiękowe

zapewniać (to make something certain to happen)

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Nagranie dźwiękowe
eye‑catching
eye‑catching

/ ˈaɪ kætʃɪŋ /

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Nagranie dźwiękowe

przyciągający/przyciągająca wzrok (noticeable and attractive)

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Nagranie dźwiękowe
focal point
focal point

/ ˈfəʊkl̩ pɔɪnt /

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Nagranie dźwiękowe

główny punkt (the centre of interest or attention)

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Nagranie dźwiękowe
implementation
implementation

/ ˌɪmplɪmenˈteɪʃn̩ /

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Nagranie dźwiękowe

wykonanie (putting a plan, service or system into action)

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Nagranie dźwiękowe
know‑how
know‑how

/ ˈnəʊ haʊ /

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Nagranie dźwiękowe

wiedza i umiejętności fachowe (practical knowledge of ability)

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Nagranie dźwiękowe
lit [light]
lit [light]

/ lɪt / / laɪt /

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Nagranie dźwiękowe

oświetlony/oświetlona [oświetlać] (to produce light in order to make objects visible)

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Nagranie dźwiękowe
make a purchase
make a purchase

/ ˈmeɪk ə ˈpɜːtʃəs /

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Nagranie dźwiękowe

dokonać zakupu (to buy something)

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Nagranie dźwiękowe
marketing tool
marketing tool

/ ˈmɑːkɪtɪŋ tuːl /

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Nagranie dźwiękowe

narzędzie marketingowe (a technique used to promote products and boost sales)

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Nagranie dźwiękowe
maximises sales [maximise sales]
maximises sales [maximise sales]

/ ˈmæksɪmaɪzɪz seɪlz / / ˈmæksɪmaɪz seɪlz /

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Nagranie dźwiękowe

maksymalizuje sprzedaż [maksymalizować sprzedaż] ) (to make sales as high as possible

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Nagranie dźwiękowe
memorable
memorable

/ ˈmemərəbl̩ /

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Nagranie dźwiękowe

zapadający/zapadająca w pamięć (likely to be remembered)

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Nagranie dźwiękowe
narrative
narrative

/ ˈnærətɪv /

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Nagranie dźwiękowe

narracja (the way of explaining something to show certain ideas)

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Nagranie dźwiękowe
passers‑by [passer‑by]
passers‑by [passer‑by]

/ ˌpɑ:səz ˈbaɪ / / ˌpɑ:sə ˈbaɪ /

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Nagranie dźwiękowe

przechodnie [przechodzień] (someone who is going past a place)

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Nagranie dźwiękowe
purchasers [purchaser]
purchasers [purchaser]

/ ˈpɜːtʃəsəz / / ˈpɜːtʃəsə /

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Nagranie dźwiękowe

nabywcy [nabywca/nabywczyni] (buyers [buyer])

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Nagranie dźwiękowe
regarding
regarding

/ rɪˈɡɑːdɪŋ /

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Nagranie dźwiękowe

odnośnie (about)

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Nagranie dźwiękowe
scent
scent

/ sent /

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Nagranie dźwiękowe

woń, zapach (a distinctive smell)

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Nagranie dźwiękowe
shop layout
shop layout

/ ʃɒp ˈleɪaʊt /

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Nagranie dźwiękowe

układ sklepu (a floor plan of a shop which shows where all the items and furniture are placed)

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Nagranie dźwiękowe
shopping craze
shopping craze

/ ˈʃɒpɪŋ kreɪz /

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Nagranie dźwiękowe

szaleństwo zakupowe (obsessive shopping activity)

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Nagranie dźwiękowe
showcasing [showcase]
showcasing [showcase]

/ ˈʃəʊkeɪsɪŋ / / ˈʃəʊkeɪs /

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Nagranie dźwiękowe

prezentowanie [prezentować] (exhibiting or displaying)

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Nagranie dźwiękowe
signage
signage

/ ˈsaɪnɪdʒ /

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Nagranie dźwiękowe

oznakowanie (a system of signs in a shop that helps customers navigate its space)

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Nagranie dźwiękowe
significant
significant

/ sɪɡˈnɪfɪkənt /

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Nagranie dźwiękowe

znaczący/znacząca (important and noticeable)

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Nagranie dźwiękowe
site navigation
site navigation

/ saɪt ˌnævɪˈɡeɪʃn̩ /

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Nagranie dźwiękowe

nawigacja strony internetowej (elements of the website that allow visitors to move from one site to another)

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Nagranie dźwiękowe
stake
stake

/ steɪk /

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Nagranie dźwiękowe

stawka (something important that might be lost)

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Nagranie dźwiękowe
store traffic
store traffic

/ stɔː ˈtræfɪk /

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Nagranie dźwiękowe

ruch w sklepie (the number of customers who visit the store)

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Nagranie dźwiękowe
take a snapshot of something
take a snapshot of something

/ ˈteɪk ə ˈsnæpʃɒt əv ˈsʌmthetaɪŋ /

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Nagranie dźwiękowe

zrobić zdjęcie czemuś (to take a photo of something)

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Nagranie dźwiękowe
the whys and the wherefores
the whys and the wherefores

/ ðə waɪz ənd ðə ˈweəfɔːz /

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Nagranie dźwiękowe

powody, przyczyny (the reason for something)

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Nagranie dźwiękowe
theme
theme

/ thetaiːm /

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Nagranie dźwiękowe

motyw (the main subject)

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Nagranie dźwiękowe
themed
themed

/ ðəmd /

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Nagranie dźwiękowe

o określonej tematyce (created to show a particular subject)

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Nagranie dźwiękowe
visual communication channel
visual communication channel

/ ˈvɪʒuəl kəˌmjuːnɪˈkeɪʃn̩ ˈtʃænl̩ /

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Nagranie dźwiękowe

kanał komunikacji wizualnej (a way of communicating with people through the sense of sight)

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Nagranie dźwiękowe
visual merchandisers [visual merchandiser]
visual merchandisers [visual merchandiser]

/ ˈvɪʒuəl ˈmɜːtʃənˌdaɪzərz / / ˈvɪʒuəl ˈmɜːtʃənˌdaɪzə /

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Nagranie dźwiękowe

osoby odpowiedzialne za kreowanie przestrzeni i ekspozycji w sklepie (people whose job is to design the presentation of products to better show their features and make customers buy them)

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Nagranie dźwiękowe
visual merchandising
visual merchandising

/ ˈvɪʒuəl ˈmɜːtʃəndaɪzɪŋ /

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Nagranie dźwiękowe

sprzedaż za pomocą ekspozycji sklepu i jego towaru (the presentation of products to better show their features and make customers buy them)

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Nagranie dźwiękowe
what the future holds
what the future holds

/ wɒt ðə ˈfjuːtʃə həʊldz /

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Nagranie dźwiękowe

co przyniesie przyszłość (phrase used to say that you wonder what will happen in the future)

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Nagranie dźwiękowe

Źródło: GroMar Sp. z o.o., licencja: CC BY‑SA 3.0

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Źródło: GroMar Sp. z o.o., licencja: CC BY-SA 3.0.